電影相機(jī)，顯示屏，幀海報(bào)
主 演：暫無(wú)主演信息
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導(dǎo) 演：暫無(wú)導(dǎo)演信息編 劇：
年 份： 地 區(qū)：日本
語(yǔ) 言：日語(yǔ)片 長(zhǎng)：0分鐘
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相機(jī)，顯示屏，幀劇情介紹：相機(jī)，顯示屏，幀是一部由導(dǎo)演暫無(wú)導(dǎo)演信息執(zhí)導(dǎo)，演員暫無(wú)主演信息等共同演繹的電影。詳細(xì)介紹
《相機(jī)，顯示屏，幀》是知名導(dǎo)演執(zhí)導(dǎo)的劇情片電影，知名明星等明星強(qiáng)勢(shì)加盟參演
Camera, Monitor, Frame is the first installment of Takahiko Iimuras "Video Semiotics Triptych" (the other two works are Observer/Observed, made in 1975, and Observer/Observed/Observer, made in 1976). The work analyzes the fundamental components of video: the camera, the monitor, and the frame, focusing on the role of each within a system of video as analogous to the functions of vision and speech.Takahiko Iimura formed the experimental film group Film Indépendant with Nobuhiko Obayashi, Yoichi Takabayashi, Donald Richie, and Koichiro Ishizaki in 1964. Since then he has produced many conceptual and experimental films and vido art works. in 1966 he moved to the U.S.; since then he has produced work internationally. His major works include Ai (Love) (1962), Observer, Observed (1975), and Ma: Space/Time in the Garden of Ryoan-ji (1989), which includes texts by Arata Isozaki and music by Takehisa Kosugi.
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